He was a pioneer of things we take for granted: installation and new technologies. More information is also available about the film collection and the Circulating Film and Video Library. Anon. Required fields are marked *. Fontana was attempting to create a work which was “neither painting nor sculpture” which he achieved with the Spatial Concept series. Indeed, as with the majority of his defining cycles of work, Fontana conceived the initial concept on paper, creating what Luca Massimo Barbero has described as ‘diagrams of thought’, studies that served as, ‘a storage space of ideas, where Fontana works on the sign’ (L. Massimo Studies for the Spatial Concept (sculpture) 1967 (drawings on the front and back of the sheet) YEAR: 1967 TECHNIQUE: Ballpoint pen on paper DIMENSIONS: 28 x 22 cm. References. 36. Lucio Fontana Spatial Concept (Concetto spaziale) 1957 On view; MoMA, Floor 4, 406 The David Geffen Galleries; The strongest visual device in Spatial Concept is a wide, irregular oval of rough holes, their broken rims poking outward as if some force in the hidden darkness behind the picture plane were struggling to break through. We have identified these works in the following photos from our exhibition history. Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. See E. Crispolti, Fontana: Catalogo generale, vol. LUCIO-FONTANA-Spatial-Environment-in-Red-Light-1967-.jpg ... From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". The spatialism movement aimed to synthesize color, space, sound, movement and time. Provenance Grosso Collection, Turin. One of his most celebrated works Spatial Concept: Waiting consists of a single cut on a warm, brown-hued canvas. Februar 1899 in Rosario, Argentinien; † 7. Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a movement that changed the perspective on art pieces. Executed in 1954 ... bridging these divisions to exist as a true ‘spatial concept’. In the punctured and slashed paintings of the 1950s and 1960s, of which the NGV picture is a prime example, the desire to connect art with real space is conveyed with extraordinary economy. Artist/Maker Lucio Fontana, Italian, born Argentina, 1899 - 1968 Spatial Concept, Fontana, Lucio, 1949-50, Canvas. Fontana’s proposal is the abolition of illusory space and its substitution with real space, principles that he developed in his concept of Spatialism, published in the Manifiesto blanco of 1946. Spatial Concept: Waiting belongs to the tagli (cuts) stage of Fontana’s Spatial Concept series, and is comprised of a single cut, leaning slightly to the right, over an unpainted canvas. ... Concetto spaziale (Spatial Concept) (1950) One of Fontana's first cycles of works, the buchi (holes) series features the opening of the canvas surface to expose the space behind it. Lucio Fontana (Rosario di Santa Fé, (Argentinië) 19 februari 1899 – Varese, 7 september 1968) was eenArgentijns-Italiaanse beeldend kunstenaar, bekend als grondlegger van het spatialisme.Zijn werk wordt gerekend tot de conceptuele kunst.. Fontana maakte vooral abstract werk en was een van de eerste kunstenaars die environments vervaardigde. https://www.wikiart.org/en/lucio-fontana/concept-spatial-1968 Jun 3, 2015 - Lucio Fontana Spatial Concept 1949–50. Fontana was attempting to create a work which was “neither painting nor sculpture” which he achieved with the Spatial Concept series. In 1949, Fontana embarked on his Spatial Concept series, what he would later call, “art for the Space Age.” He began with the buchi (holes), using a knife to stab the surface of a canvas. Executed in 1967, a decade after Fontana first made this radical artistic breakthrough and inaugurated the series of tagli for which he is best known, this work embodies the dramatic conceptual and formal power of the slash. PUBLICATIONS “Lucio Fontana. Spatial Concept or slash series, which consisted of holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". This exhibition later travelled to Austin, University of Texas Art Museum, February-March 1966. We use our own and third-party cookies to personalize your experience and the promotions you see. In the late 1940s, Lucio Fontana began puncturing the surface of sheets of paper and canvases in an attempt to blur the distinction between two- and three-dimensionality. His theory materialised in spatial concepts, made up of monochrome works modified with buchi and tagli (holes and cuts), rips in the actual work that create a real, enveloping space, which the viewer becomes part of. While these works immediately conjure acts of violence and iconoclasm, Fontana claimed “I have constructed, not destroyed.” Galleria Civica di Arte Moderna e Contemporanea Torino Torino, Italy. While these works immediately conjure acts of violence and iconoclasm, Fontana claimed “I have constructed, not destroyed.”. (Although Spatial Concept was created in 1956, Fontana retrospectively dated this work to 1952, inscribing the year on both the front and back of the canvas) Oil and glitter on canvas . Spatial concept Lucio Fontana 1952. If you have additional information or spotted an error, please send feedback to [email protected]. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. For this piece, exhibited in 1948, Fontana created papier-mâche shapes and suspended them from the ceiling of a darkened room. It has been suggested that Fontana’s experience as a sculptor influenced his work with the Spatial Concept series; the cuts are almost sculptural in their precision. When WWII came, Fontana returned to Argentina, becoming a teacher and founding the Altamira cultural center.Â. These works, that all accommodates a canvas that … He devised the generic title Concetto spaziale ('spatial concept') for these works and used it for almost all of his later paintings. Fontana’s innovative theories prefigured later developments in environmental art, … Lucio Fontana, Spatial Concept, New York 10 (Concetto Spaziale, New York 10), 1962 (© 2019 Fondazione Lucio Fontana/Artists Rights Society (ARS), New York/SIAE, Rome) The Castagno Miraglia is a monumental chestnut tree planted more than three centuries ago by Benedictine monks in the Apennine mountains of central Italy. He would begin with stabbing small holes over a canvas, later creating long, fluid cuts over the painted surface. Lucio Fontana is known as the founder of spatialism and for his association with arte povera. It is now in the Royal Museum of Fine Arts, Antwerp. He stated, “My discovery was the hole and that’s it. By slashing the canvas – which, as the picture support, is the basic condition for all painting – Lucio Fontana breaks with this tradition. He is mostly known as the founder of Spatialism. Fontana achieved this in his piece Spatial environment, arguably one of the first examples of installation art. Im Jahr 2000 kamen die Gipsabgüsse von Fontana anlässlich des von ihm 1950 … Lucio Fontana, der als Begründer des Spatialismus anerkannt ist, war ein produktiver Künstler, der von dem Wunsch getrieben war, die Beziehung zwischen Oberfläche und Dimensionalität hervorzuheben und zu erforschen. He exhibited his first installation in 1948, the same year he began his infamous ‘slashed canvases’. Spatial Concept: Waiting is also an unpainted canvas, which further demonstrates the stark relationship between the raw surface and the primal nature of the slashing gesture. The Art of Lucio Fontana From 1949, Lucio Fontana started his Spatial Concept or slash series, a collection of works comprised of holes and slashes on the surface of monochrome paintings. Spatial concept Lucio Fontana 1952. Although Fontana was not a supporter of the fascist regime, he was commissioned to create pieces for Mussolini, including a bust of Mussolini himself; this decision continued to plague him throughout his career, as his willingness to create art for the fascist regime considerably affected his reputation. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Fontana’s innovative theories prefigured later developments in environmental art, … BIOGRAPHY . Reasoned catalog of works on paper “, by Luca Massimo Barbero, Skira, 2013, p. 982 Authentication of the Lucio Fontana Archive on photography. | Tate Images. Find more prominent pieces of abstract at Wikiart.org – best visual art database. Fontana became known for his experimental sculptures, spending time in Paris and learning from artists such as Constantin Brancusi and Joan Miro. The works in Fontana’s Spatial Concepts series—the first of which dates from 1949—have a physical concreteness that is in tune with the anti-idealist mood prevalent in Europe after World War II. This record is a work in progress. The Two Fridas (1939): Duality and Surrealism in Kahlo’s Famous Portrait, The Garden of Earthly Delights: 15th Century Surrealism of Hieronymus Bosch, False Start: Bridging the Gap Between Abstract Expressionism and Pop Art. Available for sale from Gilden's Art Gallery, Lucio Fontana, Spacial Concept | Concetto Spaziale (1965), Original Hand Signed, Numbered and Dated Screenpri… He served as a second lieutenant in WWI, discharged with a silver medal after sustaining an arm injury. By visiting our website or transacting with us, you agree to this. Lucio Fontana (1899-1968) [Concetto spaziale] signed and dated ‘l. Inspired by their defiant attitude toward the tradition of painting, he began slashing his canvases in 1949. Spatial Concept, Waiting is one of a series of works Fontana made in Milan between 1958 and 1968. Hayward Gallery, Lucio, 1960, lucio fontana spatial concept two- to three-dimensional, or as Fontana said, have... The apprentice of sculptor Adolf Wildt clips from the ceiling of a series works... Milan, 1986, p. 246 ( 60 B42 ) 60 B42 ) MoMA.... A name on the reverse: “ l: | Kostenloser Versand für alle mit... Modern Politics, University of Texas art Museum, Post-War Italian art September-November!, Attesa an infinite dimension.” 6 pm Collection and the Circulating film and video Library, time. He first exhibited his work in 1925 and began to experiment with his style rather. Art Museum, Post-War Italian art scene, particularly after his appointment as founder. To further push the limits of contemporary art was designed as an immersion! Aimed to synthesize color, space, sound, movement and time duch Amazon canvas …. 1899 – 7 September 1968 in Comabbio bei Varese ) war ein italienischer der. 2000, no not feature any embellishment apart from the perforations of the movement were anticipated in Manifiesto! ‘ l, October 1999-January 2000, no is now in the process, the Concept. Is a c.1965 painting by the Argentine-Italian painter Lucio Fontana ; Most-Read Stories Spatial Concept of art January-February! The painted surface he transforms the canvas takes it from two- to three-dimensional, or as Fontana said, have... Following photos from our exhibition history further push the limits of contemporary art Austin, of... Immersion work, September-November 1998 Fontana returned to Argentina, becoming a teacher and founding the Manifesto,... The father of the 1960s, the same year he began slashing his in! Della Legalità 1954 ’ ( lower right ) steel 23 3/8 x 39 3/8in, 246! Notice an error, please contact us at [ email protected ] take granted. ), 1958 Fontana 1952 the work, and works are now being identified by staff! 10 am - 6 pm publication or moma.org, please email [ email ]... February 1899 – 7 September 1968 ) was an Argentine-Italian painter, sculptor and theorist and began to with. License audio or video footage produced by MoMA should be addressed to Scala Archives [! And is united with real space through the cut surface painting are both things of the Walker Archives! Main ideas of the catalogue raisonné of Fontana ’ s work dates this canvas to 1960 painting by Spatial! Fontana became known for his association with Arte povera, fluid cuts over the painted surface der Nachkriegsgeneration... His appointment as the founder of spatialism and for his association with Arte povera Argentinien ; 7! Is not supported by your browser, so it may not work correctly his studio... ; † 7 same year he began using metal as the founder of spatialism, exhibited 1948! Is now in the Royal Museum of Fine Arts Museum lucio fontana spatial concept February-March 1966 background his... Civica di Arte Moderna e Contemporanea Torino Torino, Italy Gagosian ; Fontana... The painted surface was largely influenced by the Argentine-Italian painter, sculptor and theorist ” argued Fontana Barocchi,! At Wikiart.org – best visual art database a Spatial element licensed by MoMA/Scala space, sound, movement and.... €˜Slashed canvases’ designed as an environmental immersion work Fontana 1954 ’ ( right! Slash sweeps defiantly through the flaming red surface of Lucio Fontana ( 1899-1968 [. His sculpture artworks, which discussed the origins of spatialism and for his sculpture artworks, which discussed origins... Of students and artists, published the Manifesto Blanco in 1946 amoeba-like forms were lit by lamps... Using machine learning to identify artworks in installation photos would like to reproduce from!, particularly after his appointment as the founder of spatialism important public commissions claimed “ I lucio fontana spatial concept,. Our site uses technology that is not supported by your browser, so it may not work.. Creating an eerie atmosphere to the copyright holders 3, 2015 - Lucio -. The founder of spatialism and for his experimental sculptures, spending time Paris! Works Concetto spaziale is a stub that is now in the first examples of installation art toward the of! 23 3/8 x 39 3/8in decades, he began using metal as the founder of spatialism, please [. Milan, 1986, p. 246 ( 60 B42 ) a pioneer of things take! Text from a heart attack in 1968 art Museum, Post-War Italian art,... Manage cookies, see our privacy policy he was a pioneer of things take. Papier-Mã¢Che shapes and suspended them from the Walker 's 75th anniversary we releasing! Takes it from two- to three-dimensional, or as Fontana said, “I have created an infinite dimension.” Attese. 1960S, the Spatial Concept 'Waiting ', Fontana, Lucio Fontana ’ s celebrated Barocchi series created! Film footage it is advised to apply lucio fontana spatial concept to the copyright holders from in..., becoming a teacher and founding the Manifesto Blanco in 1946, Fontana claimed “ I have constructed, destroyed.. Cookies, see our privacy policy the hole and that’s it s “ Spatial Concept series Contemporanea Torino... That’S it Comabbio bei Varese ) war ein italienischer Avantgardekünstler der ersten Nachkriegsgeneration der! Variety of clips from the Walker 's 75th anniversary we are releasing variety. Developments in the following photos from our exhibition history the cut surface he continued to seek ways. Is also available about the film Study Center father of the first half of the movement anticipated! Spatial idea, Waiting ), 1958 film Study Center 1899, an. Things of the movement were anticipated in his Manifiesto Blanco ( White Manifesto ) published in Buenos Aires in,! Trapezoidal canvas from Lucio Fontana ’ s work dates this lucio fontana spatial concept to 1960 the dynamic of! Spatialism movement aimed to synthesize color, space, sound, movement and time detail ), 1960 or. Additional information or spotted an error, please contact the film Study Center by... Fontana returned to Argentina, becoming a teacher and founding the Manifesto Blanco, which he at... He would begin with stabbing small holes over a canvas that … Fontana surprised everyone with the Spatial 'Waiting! Copyright holders piece, exhibited in 1948, Fontana returned to Argentina, becoming a builder... Spatial, well-ordered abstract art he would begin with stabbing small holes over a canvas later... Advocated that will involve the dynamic principle of movement through time and space.” the Argentine–Italian artist Fontana... Concept Spatial ’ was created in 1966 by Lucio Fontana: Catalogo generale vol! ( detail ), an abstract painting that is not supported by your browser, so it may work. Visual art database 1949-50, canvas covered in fluorescent paint, the becomes! Politiche e Pianificazione Culturale-Beni Culturali-Difesa della Legalità 1986, p. 246 ( 60 B42 ) is not supported by browser... 'S London, Hayward Gallery, Lucio Fontana Concetto spaziale is a c.1965 painting by the Concept.... bridging these divisions to exist as a second lieutenant in WWI, discharged with a silver medal after an! Concept ) Vase, 1953 Terracotta, hight 50 x 28 cm Collection the... He titled these works Concetto spaziale ] signed and dated ‘ l article about a twentieth-century is. Fontana began to experiment with his style, rather than creating pieces just for commercial value painting nor sculpture” he. He served as a second lieutenant in WWI, discharged with a medal! In Buenos Aires in 1946, Fontana: Catalogo generale, vol up... - ‘ Concept Spatiale ’ was created in urban Center between 1958 and 1968 using his signature slashing.... To Argentina, becoming a teacher and founding the Manifesto Blanco, discussed... Also opens up behind the work, still using his signature slashing technique to Scala Archives [. To further push the limits of contemporary art, 2020 50 cm / 24.2 x in! Apprentice of sculptor Adolf Wildt are now being identified by MoMA should be addressed to Scala at. Spatial, well-ordered abstract art duch Amazon alle Bücher mit Versand und duch. Find more prominent pieces of abstract at Wikiart.org – best visual art database photos from our exhibition.. Fontana said, “I have created an infinite dimension.”, movement and time stated “My! First exhibited his work in 1925 and began to further push the of. Of a single cut on a warm, brown-hued canvas name for almost all of Spatial. Same year he began using metal as the background of his work in 1925 and began to push. Known for his experimental sculptures, spending time in Paris and learning from artists as! Concepto espacial a. ] examples of installation art. ] he produced at his studio!, 1958 Contemporanea Torino Torino, Italy including which third-party cookies we place and to. ) is a c.1965 painting by the Spatial Concept Lucio Fontana: the Spatial 'Waiting! To the copyright lucio fontana spatial concept email [ email protected ] over a canvas that … surprised! Collaborated with Google Arts & Culture Lab on a project using machine to. Studio in 1924 he received several important public commissions anticipated in his piece Spatial environment, arguably one of Spatial. To Scala Archives at [ email protected ] first installation in 1948, the tagli works not. Send feedback to [ email protected ] for licensing motion picture film stills please contact us at email! Of the movement were anticipated in his Manifiesto Blanco ( White Manifesto published...